A new English translation of Schelling’s unfinished magnum opus, complete with a contextualizing introduction by the translator.

On the History of Modern Philosophy is a key transitional text in the history of European philosophy. In it, F. W. J. Schelling surveys philosophy from Descartes to German Idealism and shows why the Idealist project is ultimately doomed to failure. The lectures trace the path of philosophy from Descartes through Spinoza, Leibniz, Kant, Fichte, Jacobi, to Hegel and Schelling's own work. The extensive critiques of Hegel prefigure many of the arguments to be found in Feuerbach, Kierkegaard, Marx, (...) Nietzsche, Heidegger, and Derrida. This is the first English translation of On the History of Modern Philosophy. In his introduction Andrew Bowie sets the work in the context of Schelling's career and clarifies its philosophical issues. The translation will be of special interest to philosophers, intellectual historians, literary theorists, and theologians. (shrink)

These notebooks were written during the years that F. W. J. Schelling spent as a student at the Tübinger Stift (1790–1795). From dates written by Schelling in the margins, we can surmise that the first portion (AA II/4: 15–28) was begun in August of 1792, and the latter portion (AA II/5: 133–142) was written in early 1794. To this latter portion is appended a substantial work, Schelling’s Timaeus-commentary, which is not included in the present translation. It appeared (...) as “Timaeus (1794)” (translated by Adam Arola, Jena Jolissaint, Peter Warnek) in Epoché 12: 2. These notebooks offer a window into Schelling’s philosophical development and proclivities, in light of his engagement with various Platonic dialogues, most notably the Ion, Theaetetus, Meno, Timaeus, and Philebus. They include discussions of divine power, rapture, and genius, especially as these relate to poetry, prophecy, and ordinary forms of human knowledge. These topics are discussed in the first portion (AA II/4: 15–25). In the latter portion, Schelling discusses myth, its function and relation to human greatness, Socrates’s daimonion, and the authority of tradition (AA II/4: 25–28; II/5: 133–142). (shrink)

Schelling's first systematic attempt to articulate a complete philosophy of nature.

This is an English translation of Schelling's Ideas for a Philosophy of Nature (first published in 1797 and revised in 1803), one of the most significant works in the German tradition of philosophy of nature and early nineteenth-century philosophy of science. It stands in opposition to the Newtonian picture of matter as constituted by inert, impenetrable particles, and argues instead for matter as an equilibrium of active forces that engage in dynamic polar opposition to one another. In the revisions (...) of 1803 Schelling incorporated this dialectical view into a neo-Platonic conception of an original unity divided upon itself. The text is of more than simply historical interest: its daring and original vision of nature, philosophy, and empirical science will prove absorbing reading for all philosophers concerned with post-Kantian German idealism, for scholars of German Romanticism, and for historians of science. (shrink)

Part novella, part philosophy, Clara was Schelling's most popular work during his lifetime, and appears here in English for the first time.

Schelling’s masterpiece investigating evil and freedom.

Schelling's 1806 polemic against Fichte, and his last major work on the philosophy of nature. The heat of anger can concentrate the mind. Convinced that he had been betrayed by his former collaborator and colleague, Schelling attempts in this polemic to reach a final reckoning with Fichte. Employing the format of a book review, Schelling directs withering scorn at three of Fichte’s recent publications, at one point likening them to the hell, purgatory, and would-be paradise of Fichtean (...) philosophy. The central bone of contention is the understanding of nature: Fichte sees it as lifeless matter in motion, sheer opposition to be overcome, while Schelling waxes poetic in his defense of a living, organic nature of which humanity is a vital part. Indeed, we do not know ourselves without understanding our connection to nature, argues Schelling, anticipating many thinkers in contemporary environmental ethics. Dale E. Snow’s introduction sets the stage and explains the larger context of the conflict, which was already visible in the correspondence of the two philosophers, which broke off by 1802. Notes are included throughout the text, providing background information and identifying the many references to Fichte. Dale E. Snow is Associate Professor of Philosophy at Loyola University of Maryland and the author of Schelling and the End of Idealism, also published by SUNY Press. (shrink)

Makes Schelling’s dialogue Bruno readily accessible to the English-language reader, with valuable commentary on the work itself, which details Schelling’s account of his differences from Fichte.

Appearing in English for the first time, Schelling’s 1842 lectures develop the idea that many philosophical concepts are born of religious-mythological notions.

English summary: Schelling's Die Weltalter was frequently announced as ready for publication, but little of the book was ever written. Schelling planned Die Weltalter as a volume in three parts, describing the past, present, and future of the world; however, he began only the first part, rewriting it several times and at last keeping it unpublished. The other two parts were left only in planning. French text.French description: « Commencé seulement les Ages du monde ». Cette note que (...) Schelling consigne dans son Tagebuch à la date du 27 décembre 1810 donne le coup d'envoi d'un des projets les plus grandioses qu'un philosophe se soit proposé, retracer sur la base de concepts philosophiques les étapes de la vie divine et de la création. S'il est vrai, comme le disait Novalis, que « vouloir écrire une Bible est un penchant à la folie que tout homme doit avoir pour être complet », cette grande fresque cosmique et théologique représente la tentative la plus magistrale qu'ait menée l'idéalisme allemand pour rendre compte de la totalité de la manifestation divine et en proposer une présentation effective et complète. Or, dans la dernière version de l'ouvrage, celle-là même que Schelling fit introduire dans ses Sammtliche Werke et dont nous donnons ici une nouvelle traduction dans la continuité de celle des brouillons de 1811 et 1813, le récit et la construction spéculative cherchent encore à atteindre un point d'équilibre. Un double effort pour implanter la succession au coeur même de l'Absolu tout en équilibrant en Dieu les rapports de l'idéal et du réel prépare l'avènement d'une philosophie historique sans ue l'on débouche jamais tout à fait sur une hétérogénéité radicale de l'être et du penser. Ainsi, à travers cette description du passé le plus archaïque, Schelling met pour la première fois effectivement la philosophie en possession de ce qu'elle recherche depuis toujours : « la science, c'est-à-dire l'histoire ». (shrink)

F.W.J. Schelling, one of the essential thinkers in the development of German Idealism, formed his own thought not only in a critical dialogue with Kant's and Fichte's transcendentalism and Hegel's earlier conception of thinking, but also in an intensive discussion with Plato and Aristotle. Over and above that, Neoplatonism - especially Plotinus, Proclus and the Christian Dionysius the Areopagite - played a decisive role in Schelling's reception and transformation of ancient philosophy.Selecting the manifold aspects which could be reflected (...) on in this field, I want to make plausible as a transcendental analogy to Plotinus' concept of self-knowledge Schelling's requirement for a raising-up and transformation of the finite 'I' into the form of the Absolute, whose central features converge with the goal of the Plotinian self - transformation of thought into a timeless self-thinking and its ground.A main part of this paper discusses Schelling's and Plotinus' concept of nature as a dynamic process constituted by an immanent 'creating theoria'. Furthermore we find in Schelling's theory of the Absolute as the 'utterly One' a union of Plotinus' notion of a pure One beyond Being with that of the reflexive self-presence of nous, so that this Absolute can be understood as an All-Unity which grounds and embraces all actuality - because it is in itself the most unifying self-affirmation or self-mediation. What follows is a reflection on the anagogical function of art, especially from the viewpoint of Plotinus' non-Platonic rehabilitation of art as an imitation of nature. The last perspectives focus on Schelling's concept of matter and emanation - as different from and at the same time coherent with that of Plotinus - and on Schelling's theory of an absolute self - willing will in connection with Plotinus' Enneads VI.8, 'On free will and the will of the One' as a causa sui. (shrink)

This book provides the English-speaking world with a comprehensive account of the still largely unknown work of Schelling’s philosophy of mythology and revelation. Its achievement, however, is not archival but philosophical, elucidating the relation between Schelling and onto-theology. It explains how Schelling dealt with the problem of nihilism and onto-theology well before Nietzsche and Heidegger, arguing that Schelling surpasses onto-theology or the philosophy of presence a century prior to Heidegger. Overall, the author provocatively suggests that Heidegger (...) is perhaps Schelling’s genuine heir and by comprehensively interpreting Schelling’s multifaceted late lectures he analyzes issues as diverse as the Ancient relation between thinking and Being, the Medieval debate between voluntarism and intellectualism, the overcoming of modern subjectivism and German Idealism as well as many themes in contemporary philosophy. (shrink)

This paper explores the relationship between Toni Morrison’s 1987 novel, Beloved, and F. W. J. Schelling’s 1813 draft of Ages of the World (Die Weltalter). It shows that Die Weltalter, contrary to much recent scholarship, which often stresses the many ways Schelling anticipated the antimetaphysical trends of post-Hegelian thought, should be first approached as a genuine attempt tobe faithful to the event of first creation and time’s “indivisible remainders”. The paper will show that Schelling’s “indivisible remainders”, the (...) forgotten and “disremembered” of history, force his thought to the limits of Romantic and idealist reflection and toward the traumatic encounters of Beloved. Morrison’s depiction of the irrepressible longing for life and recognition amid the pain and ugliness of American slavery parallels Schelling’s efforts to understand the tremendous need for life and fellowship that first urged god toward creation, when primordial longing was overcome in a child and a god entered time. (shrink)

According to scholars as influential as Hans Urs von Balthasar, Eric Voegelin and Cyril O'Regan, what was once rejected as an esoteric second century Christian heresy, has, and indeed continues to, exert a significant amount of influence over modern philosophy and theology in the form of ancient Gnosticism. While a variety of major studies have applied this hermeneutical lens to evaluate and better grasp Hegel's philosophical system, very few have sought to interpret Schelling's philosophy in this manner, when there (...) seems to be ample evidence to suggest that Schelling consciously adopted Gnostic philosophy, particularly Valentinian speculation, alongside other theosophic proposals, when constructing his own ideas. And, given the rise of theological systems, notably from the East, although not exclusively, in the guise of Sergius Bulgakov, that are heavily indebted to Schelling and are currently exerting a notable influence on contemporary Anglophone systematic theology (theologians such as John Milbank), it would seem beneficial for such a study to be conducted to better grasp certain trends in current, mainstream, theological proposals. (shrink)

Le Système de l’idéalisme transcendantal a paru en 1800 et fut traduit en français pour la première fois en 1842 par Paul Grimblot. La traduction de Christian Dubois, parue en 1978 et aujourd’hui rééditée chez Allia, est la deuxième, et dernière en date, transposition en français de ce texte. Cette traduction s’inscrivait, en 1978, dans le cadre d’un regain d’intérêt pour les études schellingiennes dans la sphère francophone, représentée par les travaux de Jean-François Courtine et Xavier Til...

In this editorial introduction, we set out the contexts, aims and contents of this special issue on Schelling’s influence on later religious and theological thought, as well as the rationale behind its genesis.

The Encyclopedia of Philosophy could state accurately in 1967: "Of all the major German philosophers, Schelling is the least known in the English-speaking world." A tentative survey discloses few articles and books on one who is casually ranked with Hegel. There is, in fact, not one book-length study in English on Schelling’s thought.

This article examines the notions of subject and nature as well as their relationship in F. W. J. Schelling’s naturephilosophy (Naturphilosophie), primarily based on the contemporary interpretation provided by I. H. Grant. It is explained that naturephilosophy, which treats the subject as produced by nature, and nature itself as absolute productivity, at the same time critically reacts against the inclination of I. Kant’s transcendental idealism to hypostasize the subject by separating it from nature. The article argues that naturephilosophy comes (...) close to materialist logic, according to which, the subject, being the product of nature’s productivity, is one of the nature’s moments, and therefore its pretentions to once and for all define nature are doomed to fail. This indeterminacy is not the effect of epistemological lack, but the ontological condition of nature and its products. (shrink)

The aim of this essay is to analyze the concept of ecstasy in F. W. J. Schelling's Erlangen Lectures. In particular, I intend to show how it constitutes a significant evolution with regard to the model of reminiscence and in particular that of Mitwissenschaft, as presented in the Weltalter. The essay focuses on three aspects of the notion of ecstasy: 1) its relation to temporality, 2) its relation to interiority, and 3) its noetic value and its moral dimension. In (...) conclusion, I will show how in Erlangen a movement of progressive de-historicization and de-theosophicization of ecstasy began, culminating in the Berliner Einleitung of 1842/43. (shrink)

By 1800 Schelling’s thought had moved from the Fichtean Ich through all-encompassing systems of objective nature to the point where the idea for a first synthesis, a first system, captured his attention. And so at twenty-five, at Jena, he composed the first of those systems written and published each year between 1800 and 1802.

This article focuses on analysis of a handwritten fragment by F. W. J. Schelling “Psychological scheme”, which is a study of main principles of philosophical anthropology. The article reconstructs the circumstances of creating the mentioned text, which are connected with the trusting relationship between Schelling and Bavarian Crown Prince Maximilian; it also highlights the parallels between the text and the earlier Schelling's works exploring philosophical-anthropological problematic: “Philosophical Investigations into the Essence of Human Freedom” and “Stuttgart Seminars”. In (...) the course of terminological analysis of the fragment author displays that the the main source of influence was the work by I. Kant “Religion within the Limits of Reason Alone”. Major problem, considered by Schelling's anthropology, is defining the correlation between intelligible and empirical human character, the main resolving instrument being Schelling’s doctrine of potencies as ontological modalities developed in 1820-1830. (shrink)

The speculative power of theoretical reason is not only incapable of grounding itself, but is also powerless to integrate and unify all of the different aspects of our intellectual and spiritual life. This impotency of what Schelling called negative philosophy gives rise to the demand for a positive philosophy that supplies the integrative grounding in which das Unvordenkliche—that before which nothing can be thought—is rooted. I contrast what Schelling calls an “inverted concept” with Huineng’s account of wu-nien (no-thought) (...) found in the Platform Sutra (Tun-Huang Manuscript). Both Schelling and Huineng advance their respective ideas as not only the necessary basis of their thinking, but as a necessary experience one must undergo in order to realize and thus truly comprehend their teaching. Huineng connects this lived knowing with sudden enlightenment, while Schelling speaks of the exuberant fullness of ecstasy. I close with a brief account of Schelling’s appeal for pluralistic tolerance among different philosophical and religious traditions, in which he argues that such traditions are in error to the degree they lay claim to exclusive and infallible truth. (shrink)

After the exposition of I. Kant's theory of nature as a mechanism, we turn to Kant's idea that organisms are an exception and cannot be explained through the mechanism of nature. Organisms are characterized through a circular causality. The idea of the whole, an idea of the thinking subject, causes the functioning of organisms. F.W.J.Schelling takes up Kant's conception that the organism is characterized through the interaction of the parts, but he dispenses with the idea of the whole as (...) a causal agent. The part has a generative power to produce the whole. With this, Schelling's Naturphilosophie suggests that mind depends on matter. (shrink)

The article discusses the relation between science and ›Bildung‹ by specifically inquiring into F. W. J. Schelling’s philosophy. Schelling is one of the main protagonists of the debate led around major German universities in 1800. In an exemplary way, the article consults two of Schelling’s texts: ›Vorlesungen über die Methode des akademischen Studiums‹ and his review on Immanuel Niethammers book on Philanthropism and Humanism. As a result, it becomes clear that Schelling understands science and ›Bildung‹ in (...) a mutually enhancing relation, provided that each of them makes an effort to deal with a living concept of the spirit. Profound ›Bildung‹ of the human is reached through the personalization of ideas. This result will be discussed in the context of the recent trend to call for more practical relevance and output-orientation in research and teaching. (shrink)

The gives the detailed analysis of the ratio of freedom and imagination in an unpublished manuscript written by F.V.Y. Schelling, which contains the materials for the lecture course read at Erlangen University in 1820-1821. The author focuses on the question of imagination as a condition for the possibility to unfold the modal differences that provide the hierarchy of predicative definitions. The article shows that both the draft philosophy of mythology and the philosophy of revelation are a direct continuation of (...) the transcendentalist program given by Kant.Those projects bases on the thesis that the consciousness of freedom and consciousness of the law, justified in the “Critique of Practical Reason”, are related one another. Schelling following Kant’s theory, points to the law and to the unconditional imperative of freedom as the main principle which is not only theoretical or practical, but determines the separation of ontological and deontological modalities. At the same time, the formal structure of an imperative as a command has the specific character of “hiden opening”: what is themed in an imperative is not opened as a meaningful opportunity, it is only opened as theopportunity in its difference from necessity. I show in this article that interpreting the Schelling possibility relies on the teachings of I. Kant in his transcendental idealconception, connected with Kant's interpretation of the imagination’s productive ability. In the middle of Schelling’s theological interpretation of Kant's consciousness of lawdoctrine as the “fact of mind” lies the analogy between peacemaking and the ancestral sin of the first people. This concept is the main source of the theory of potency as ontological modalities, developed by Schelling in the 1830s - 1840s in lectures on the philosophy of mythology and the philosophy of revelation. (shrink)

If we compare scholarship in English on Schelling and Hegel, what is notable is the recent abundance of work on Hegel, an abundance continually increasing, and the relative meagreness of work on Schelling. This is partly due to the decline of interest in the philosophy of nature in the nineteenth century, and to Schelling's reputation as an irrationalist obsessed with some of the darker enigmas of religion. Hegel continues to overshadow Schelling as he had come to (...) overshadow him in his own time. There are signs, however, of some stirrings of a wider interest in Schelling. We might note Alan White's recent effort to reconstruct Schelling's system, and Michael Vater's discussion in his translation of Schelling's Bruno. Werner Marx's study of Schelling is a further contribution to this renewal of interest. This book is to be welcomed not only for the way it sympathetically presents Schelling as a thinker to be taken with philosophical seriousness, but also for the illuminating light we gain if we look at Schelling and Hegel together, and if we see the continuity of themes between Schelling and more contemporary thinkers. (shrink)

The author argues taht the most important source of Schelling’s ‘later thought’ is undoubtably the Bible. Schelling not only referred to it more than to any other work, he also systematically endeavored to harmonize his philosophical and theological ideas with the content of the Holy Scriptures. This was by no means evident in the post-Enlightenment context, which was characterized by its vehement critique of the Bible. The author thus investigates whether Schelling’s scripturally based forays into exegesis, dogmatic (...) theology, and philosophy are convincing. Two Bible passages to which Schelling himself attached great weight are discussed: the prologue of St John’s gospel and the Christological hymn in St Paul’s Epistle to the Philippians. The conclusion is that Schelling’s philosophy of revelation is worth studying as an original contribution to contemporary systematic theological reflection, even if not all problems concerning the relation between biblical heritage, its possible interpretations and contemporary theological concerns are resolved. (shrink)

This is the first translation into English of an important early work of the German idealist philosopher F.W.J. Schelling. Philosophy and Religion (1804) is considered a precursor to his major work on freedom, his Philosophical Inquiries into the Nature of Human Freedom (1809). In Philosophy and Religion, Schelling raises the question of how philosophy can come to terms with the failure of approaching the highest principle of being, the Absolute (or God), rationally. He argues that the only possibility (...) of recognizing the Absolute lies in intellectual intuition, which goes beyond presentiment or religious intuition. For Schelling, it is the task of philosophy to lead the soul towards the intuition of the Infinite: "All philosophy begins . . . with an animated idea of the Absolute." In recent years, Schelling's philosophical ideas have been adopted by contemporary thinkers such as the Slovenian philosopher and psychoanalytic theorist Slavoj Žižek and the French theorist of "Non- Philosophy," François Laruelle. (shrink)

The minutiae of F.W.J. Schelling’s Naturphilosophie have been perennially dismissed due to its allegedly infeasible and indefensible assertions about Nature, such as his designation of Nature as “universal organism.” In the realm of post-Kantian German Idealism, such a dismissive attitude toward Schelling’s so-called objective idealism, more often than not, develops itself along the lines of Hegel’s critique of Schelling’s conception of the Absolute. In turn, I aim to accomplish two tasks in the following investigation. First, I intend (...) to clarify Schelling’s characterization of Nature as universal organism through a practical or teleological, instead of a theoretical or metaphysical, approach. Second, I seek to undermine the Hegelian-influenced criticisms of Schelling’s “Absolute” by demonstrating the ways in which the practico-teleological characterization of Schelling’s formulation of Nature extends into his later philosophical works. Through these clarifications, I hope to emphasize the uniqueness and richness of Schelling’s configuration of Nature. (shrink)

This paper considers the problem of a narrative philosophy according to F. W. J. Schelling and narrative logic according to Franklin Ankersmit. Referring to these examples, I ask whether there is any philosophy to narrative at all. First, I discuss Schelling’s views from his unfinished work “The Ages of the World,” as well as his later dialectics of mythology of revelation from the system of the ages of the world. I focus on a dialectics of figurative and speculative (...) order, which is at the core of Schelling’s project to tell philosophy in the form of poetry and demonstrate the origins of Schelling’s narrative philosophy in his early, transcendental thought. Next, I juxtapose my findings with Ankersmit’s analysis of historians’ language. I also consider whether, and how, some of these ideas can be applied in contemporary narrative research. (shrink)

On the History of Modern Philosophy is a key transitional text in the history of European philosophy. In it, F. W. J. Schelling surveys philosophy from Descartes to German Idealism and shows why the Idealist project is ultimately doomed to failure. The lectures trace the path of philosophy from Descartes through Spinoza, Leibniz, Kant, Fichte, Jacobi, to Hegel and Schelling's own work. The extensive critiques of Hegel prefigure many of the arguments to be found in Feuerbach, Kierkegaard, Marx, (...) Nietzsche, Heidegger, and Derrida. This is the first English translation of On the History of Modern Philosophy. In his introduction Andrew Bowie sets the work in the context of Schelling's career and clarifies its philosophical issues. The translation will be of special interest to philosophers, intellectual historians, literary theorists, and theologians. (shrink)

On the Deities of Samothrace is the first complete English translation of F. W. J. Schelling's remarkable 1815 lecture and subsequent book publication. This critical edition contains Schelling's original text (the lecture, endnotes, and afterword) along with explanatory notes and three original essays by the editors and translators that try to elucidate Schelling's text for contemporary readers.

English summary: Arnold presents the first systematic study of the early biblical and exegetical writings from Schelling's schooldays and years of study in Tubingen (1787-1795) and puts them in the context of the complex history of problems in the late Enlightenment. Apart from the general challenge of theology due to Kant's reception, debates on basic principles regarding authenticity and and the Bible's claim to divine authority had begun. Arnold shows that Schelling studied these controversies very closely and developed (...) them into his own hermeneutic methodology. Schelling's theory of interpreting the Scriptures, of the Christian religion and of the concept of faith, developed as a result of these studies, is also significant for understanding his later works on the history of philosophy and moral philosophy. German description: Mit diesem Band liegt die erste systematische Untersuchung der fruhen biblisch-exegetischen Schriften aus Schellings Schul- und Tubinger Studienzeit (1787-1795) vor. Diese Schriften stellt Arnold in den Horizont der komplexen Problemgeschichte der Spataufklarung: Neben der generellen Herausforderung der Theologie durch die Rezeption Kants waren im Vorfeld Grundsatzdebatten zur Authentizitat und zum gottlichen Autoritatsanspruch der Bibel aufgebrochen. Dabei zeigt Arnold, dass Schelling diese Kontroversen intensiv rezipiert und zu einer eigenen hermeneutischen Methodik ausgearbeitet hat. Schellings aus dieser Auseinandersetzung entwickelte Theorie der Schriftinterpretation, der christlichen Religion und des Glaubensbegriffs ist gerade auch fur das Verstandnis seines spateren geschichts- und moralphilosophischen OEuvres bedeutsam. (shrink)

My article utilizes the insights of F. W. J. Schelling’s work on aesthetics to explain the unique appeal of cave painting for people of the Upper Paleolithic,focusing mostly on the caves of Chauvet and Lascaux. Schelling argues that the unique value of artistic practices comes in the way they reconcile agents withtheir deepest ontological contradictions, namely, the tension between biological necessity and human freedom. I argue that the cave paintings of Chauvet andLascaux fit well with Schelling’s approach (...) and his insight that art seeks to reveal the contradictory capacities of self-conscious beings in a state of fundamentalattunement rather than in discordance and disharmony. My contention is that in taking this approach, whereby aesthetic practices engender an intuition of theabsolute identity between nature and mind, we can better explain why the practice of cave painting endured for over twenty-thousand years as one common styleof artistic practice. (shrink)

The “Treatise on the Relationship of the Real and the Ideal in Nature, or the Development of the First Principles of the Philosophy of Nature and the Principles of Gravity and Light” is one of the last essays on Naturphilosophie that Schelling wrote. It was a topic that had occupied his attention since 1796, and as such it marks the end of an era. It is distinguished by its unusual approach to the problem of matter, which becomes, in his (...) discussion, the problem of force or energy. Without being able to avail himself of the language of the conservation of energy or mass, it can be argued that Schelling makes a valiant attempt to express that insight, using the terminology of the bond and the entities bound by it. The text reaffirms Schelling’s strong affinities with Spinoza, anticipates Schopenhauer, and continues his quarrel with Fichte. (shrink)

In 1810, after establishing a reputation as Europe's most prolific philosopher, F. W. J. Schelling embarked on his most ambitious project, The Ages of the World. For over a decade he produced multiple drafts of the work before finally conceding its failure, a "failure" in which Heidegger, Jaspers, Voegelin, and many others have discerned a pivotal moment in the history of philosophy. Slavoj Zizek calls this text the "vanishing mediator," the project that, even while withheld and concealed from view, (...) connects the epoch of classical metaphysics that stretches from Plato to Hegel with the post-metaphysical thinking that began with Marx and Kierkegaard. Although drafts of the second and third versions from 1813 and 1815 have long been available in English, this translation by Joseph P. Lawrence is the first of the initial 1811 text. In his introductory essay, Lawrence argues for the importance of this first version of the work as the one that reveals the full sweep of Schelling's intended project, and he explains its significance for concerns in modern science, history, and religion. (shrink)

My paper utilizes the insights of F.W.J Schelling’s work on aesthetics to explain the unique appeal and power that aesthetic experience held for people of the Upper Paleolithic. This appeal is revealed most dramatically in the cave paintings of Chauvet and Lascaux. According to Schelling, genuine artistic activity expresses a fusion of the unconscious (der Bewußtlosen) and the symbolic (die Symbolik), which is irreducible to any other experience or product. This fusion creates a unique experience of self-transcendence and (...) reintegration that affirms the continuity between consciousness and the natural world. Consequently, genuine aesthetic products never have any simple pragmatic or utilitarian motive, but result from reconciling the deepest contradictions of the human experience. I argue that it is this experience of continuity and re-integration that is captured in the cave paintings of Chauvet and Lascaux, and which confirms the irreducible power of the aesthetic. (shrink)